Today, Tommy & Tuppence, the first contemporary English language Agatha Christie series adaptation, comes to Britbox. The six-part reimagining set in upscale London follows the crime solving detective duo Tommy Beresford (Josh Dylan) and Tuppence Cowley (Antonia Thomas) as they navigate their on-again off-again romance all while investigating murders.

Dylan and Thomas recently spoke with SciFi Vision about wanting to work together on a modern Christie adaptation, the strength of Phoebe Éclair-Powell’s scripts, and how the series reworked the characters into a more linear story. They also talked about building their on-screen partnership, the difficulties of shooting out of sequence, why filming at the Barbican and getting to do more physical material became some of their favorite parts of the experience, and more.

The first two episodes are now available to stream on Britbox.

The following contains spoilers for 308

On The Walking Dead: Dead City, after Negan (Jeffrey Dean Morgan) shot his two walker friends in a recent episode, Dillard (Jimmi Simpson) completely broke, slicing his own face open and blaming Negan. He only continued to spiral further as he killed Renata (Aimee Garcia) in last week’s episode. In the season finale, which airs tonight on AMC and AMC+, Dillard takes over the community and launches a deadly manhunt for his former friend.

Simpson recently spoke with SciFi Vision about Dillard’s surprising turn in Dead City, his relationship with the walkers, and the emotional fallout of Negan’s actions. Simpson explained that he did not play Dillard’s kindness as a mask, but as a real need for connection that had been broken by humanity. He also discussed Dillard’s final fight with Negan, becoming a walker, working with the actors playing Cockenspiel and Titicaca, and filming the light-hearted karaoke scene earlier in the season with Aimee Garcia.

The Walking Dead: Dead City is available to stream on AMC+.

The following interview contains spoilers for 3.08

In last week’s episode of The Walking Dead: Dead City, the community was left without their leader after Dillard (Jimmi Simpson) killed Renata (Aimee Garcia). Tonight, in the season finale, Maggie (Lauren Cohan) and Negan (Jeffrey Dean Morgan) must go up against Dillard in a battle to rescue Luis (Raúl Castillo) and rest of the community from the psychopath.

In a recent interview, Garcia spoke with SciFi Vision about joining Dead City as Renata, a character she describes as hopeful, non-jaded, and connected to the light in a brutal world. She talked about being a longtime fan of The Walking Dead, shaping the character through optimism and long-term thinking, why Renata struggled to separate Negan from the Croat (Zeljko Ivanek), and whether she felt things could have gone differently. She also discussed dying on the show, fully becoming a walker, the practical effects process, and the special birthday cake she received as a final goodbye.

The full season of The Walking Dead: Dead City is available to stream on AMC+.

In the final episode of the third season of The Walking Dead: Dead City, which premieres this Sunday on AMC and AMC+, Maggie (Lauren Cohan) and Negan (Jeffrey Dean Morgan) plan their next move against Dillard (Jimmi Simpson) in the wake his psychotic break, to save the community from his reign of terror. They’ll have to work together and risk it all to both come out alive.

Ahead of the season finale, series showrunner Seth Hoffman spoke with SciFi Vision about the truth about the real Negan, as well as moving the Maggie and Negan dynamic forward without crossing lines that should never be crossed. He also talked about the goals for the season and the big changes, including why the door remains open for Armstrong (Gaius Charles) and other The Walking Dead universe connections, how episode six came about, and how it let the show explore Maggie and Negan in a world where Glenn’s death was not part of their past.

The season finale of The Walking Dead: Dead City premiere Sunday on AMC and AMC+.

Based on the New York Times bestseller by Blake Crouch, Dark Matter is all about the road not taken and how your choices shape who you become. Season one follows Jason Dessen (Joel Edgerton), a physicist who was abducted and dropped into an alternate version of his life, one where he never married his wife, Daniela (Jennifer Connelly). After making his way through a myriad of different realities via the Box, Jason eventually discovers it was another version of himself who kidnapped him and makes his way back to his own world. In the end, many different versions of Jason agree to let him leave with his wife and son, Charlie (Oakes Fegley), and they head off into another world.

In season two, the Dessen family has settled into a quiet existence when one of the Jasons destroys it and they are forced to leave once again to find a different world. As Jason’s obsession with the Box increases, it threatens to tear his family apart.

Based on Martha Wells’ The Murderbot Diaries, Apple TV’s Murderbot centers on a security construct (Alexander Skarsgård) that secretly hacks its governor module, giving it the freedom to make its own choices. Murderbot keeps this newfound independence hidden, partly because it would rather spend its time watching entertainment than deal with humans. However, when it is assigned to protect a group of scientists on a remote planet, a series of increasingly dangerous incidents forces it to become more involved with the people it is supposed to be guarding.

As Murderbot works to uncover what is behind the threats facing the team, it also struggles to understand the humans around it and the relationships they begin forming with it. Although it insists it doesn’t care about them, protecting the group becomes increasingly personal, complicating Murderbot’s efforts to keep both its emotions and the truth about its free will hidden.

Recently, the Elastic Creative Directors Hazel Baird and Robert Cawdery spoke with SciFi Vision about creating the Murderbot main title sequence, including how they were brought them into the process, how the team shaped the sequence around autonomy and connection, and why Murderbot’s toy-like beginning evolves into something freer and more emotional. They also discussed working in Cinema 4D, the neon outer-space section, the group-hug imagery, Amanda Jones’s music, the Emmy nomination, the possibility of changes to the sequence in season two, and more.

The second season of Monarch: Legacy of Monsters picks up after the events of the first season, with Cate (Anna Sawai), Keiko (Mari Yamamoto), Kentaro (Ren Watabe), May (Kiersey Clemons) and the others dealing with the consequences of what happened in Axis Mundi. Their search for answers brings them to Skull Island, where Kong is far from the only threat they have to worry about. At the same time, secrets involving Monarch, Apex and the Randa family continue to come to light, while the emergence of the mysterious Titan X signals that something much bigger may be coming.

The season once again moves between different time periods, continuing the story of Keiko, Bill Randa (Anders Holm) and Lee Shaw (Wyatt Russell) in the past, while Kurt Russell portrays Shaw in the present. As the two timelines reveal more about Monarch’s history and the Titans themselves, the series expands the Monsterverse with new creatures and locations while keeping the story centered on the complicated relationships between the characters.

Recently, visual effects supervisor Sean Konrad spoke with SciFi Vision about designing creatures and visual effects for the series, including how television changes the point of view on Titans and smaller monsters, how the team balanced scale with budget, and why Titan X became one of the season’s most complicated emotional and technical challenges. He also discussed coordinating with practical effects, new creatures such as the vine strangler and needle walkers, machine-learning tools, finding out about the show’s Emmy nomination, and much more.

August 20, 2026 – The Emmy®-nominated Yellowjackets returns for its fourth and final season Friday, November 20 exclusively on Paramount+ with the Premium Plan. As the survivors race to bury their sins before rescue arrives and an old flame roars back into town with plans of her own. Turns out not every homecoming is a joyous one, and this one's going to sting.

Created by Ashley Lyle and Bart Nickerson, Yellowjackets is the saga of a team of wildly talented high school girls soccer players who become the (un)lucky survivors of a plane crash deep in the remote northern wilderness. Equal parts survival epic, psychological horror story and coming-of-age drama, the series chronicles their descent from a complicated but thriving team to savage clans, while also tracking the lives they’ve attempted to piece back together nearly 25 years later, proving that the past is never really past and what began out in the wilderness is far from over.

Season four stars Emmy nominee Melanie Lynskey (Castle Rock), Emmy nominee Christina Ricci (Z: The Beginning of Everything), Tawny Cypress (Unforgettable), Sophie Nélisse (The Book Thief), Jasmin Savoy Brown (The Leftovers), Sophie Thatcher (Heretic),  Samantha Hanratty (Shameless), Courtney Eaton (Mad Max: Fury Road), Liv Hewson (Santa Clarita Diet),  Warren Kole (Shades of Blue), Kevin Alves (Locke & Key), Sarah Desjardins (The Night Agent), Nia Sondaya (Heart Shot), Jenna Burgess (Lies Between Friends), and two-time Academy Award® winner Hilary Swank (Million Dollar Baby). 

Yellowjackets is executive produced by Ashley Lyle and Bart Nickerson.  They are also the showrunners.  Drew Comins of Creative Engine also serves as executive producer along with Jonathan Lisco, Jeff W. Byrd, Sarah L. Thompson, Ameni Rozsa and Julia Bicknell. The series is produced for SHOWTIME® by Lionsgate Television.  

Yellowjackets is distributed by Paramount Global Content Distribution. All previous seasons of YELLOWJACKETS are available to watch now with the Premium plan on Paramount+.

***The following interview contains spoilers for 3X03***

Things are looking good in Dead City! As the hit AMC series moves swiftly through its third season, big changes are underway and the fan reaction is decidedly positive. The Croat (Zeljko Ivanek)/Dama (Lisa Emery) storyline has come to close, giving the writers space to focus on the show’s beating heart: the complicated relationships between Maggie (Lauren Cohan), Hershel (Logan Kim), Negan (Jeffrey Dean Morgan), and their new friends and adversaries in New York.

In last night’s episode (303, “Emigrants”), Hershel’s loyalty is no longer in question. For the first time, he seems happy to spend time with his mom and is taking on new responsibilities in the community. When things go sideways (as they always do), Hershel steps up and does what it takes to save lives.

For actor Logan Kim, Hershel’s improved attitude isn’t about the demise of the Dama. Yes, she was a poisonous influence, but the conflict was always about Hershel and Maggie.

“In season one and two, you really get to see Hershel in a more vulnerable state,” Kim explained. “He's really just trying to find his connection with his mother. And when he doesn't find that, he moves to the Dama.”

In season three, Hershel has new responsibilities and a strong bond with Luis (Raúl Castillo). But most important, says Kim, is Maggie’s effort to reach her son.

Fightland follows Maduka ‘Duke’ Kilroy (Howard Charles), a disgraced newly released from prison boxing champion who returns to London to seek revenge against the family he thinks betrayed him, driven by non-stop action and questionable characters in a world centered on money and power.

Fightland stars Tyler Conti and Tahirah Sharif sat down with SciFi Vision to give insight into the characters anchored to Duke’s world. Conti portrays Justin ‘Jay’ Hall, Duke’s ride-or-die best friend and adopted family, offering unwavering support in a dangerous landscape. Meanwhile, Sharif plays Kim Harper, a ring girl guarding a silent past. Quietly calculated, Kim is determined to get close to Duke, though her true motives remain locked tightly in the shadows.

Tahirah Sharif came into the world of Fightland by reading the script and feeling much like a viewer blown away by the action and the gripping story telling. She felt that, “if this translates onto the screen it’s going to blow everyone’s socks off and genuinely that's one of the main reasons I wanted to play the character and do the show.”

“Fightland is like a spectacle, and sometimes it’s really difficult for that to come across on script,” Conti shared. “But actually, first time reading it, I could see everything straight away and it really took me on a roller coaster. I love how the relationships are written as well and it’s a joy as an actor to dissect relationships and find the truth within them so that hit me hard when I first read the script, for sure.”

A show in the boxing world has plenty of physicality and Tahirah worked with some really great fight choreographers. “It’s literally like learning a dance, because you have to literally learn it section by section and practice each section until you feel very confident and feel really safe. Sometimes you genuinely forget the choreography [and you are like] which bit comes next?”